Lost In Translation


Part of the Indian Ocean Craft Triennial 2024



A Group Exhibition by 18 Artists from the Indian Ocean Region Curated by by Haisang Javanalikhikara and Atty Tantivit
29 August – 20 October 2024


Photo Credit: Atta Gallery


About the Exhibition

The contemporaneity in understanding craftsmanship in art is open-ended, with no single definitive explanation. It extends beyond questions of whether a piece qualifies as art or craft, recognising that interpretation is implicitly subjective and obsolete at this point. Instead of drawing distinctions, Lost in Translation encourages an exploration of the diverse interpretations of ‘crafty’ artworks. This perspective invites appreciation for the subtle blend of skill, creativity, and tradition that characterises these pieces, transcending conventional categorisations and promoting a broader comprehension of artistic expression.

This exhibition considers such concepts through the works of 18 artists from the Indian Ocean region, ranging from emerging to internationally established artists. The region's rich history of cultural exchanges as a hub for trade routes has led to a distinctive blend of traditions from Africa, the Middle East, South Asia, Southeast Asia, and Oceania - which is reflected in this exhibition. Artworks shown here explicate the cultural identity and narratives of the region. As part of the ‘Indian Ocean Craft Triennial - IOTA24,’ this exhibition at ATTA Gallery in Bangkok highlights the thriving of contemporary art with craftsmanship, cultivating a deeper understanding of cultural narratives and the integrating cross-cultural translation.

Lost in Translation invites its audience to engage their own interests in exploration and interpretation with works that stimulate 'translation' in three ways: appropriation of visuals in craft, mixing materials into new interpretations, and viewing craft as a universal language. Through these themes, the exhibition explores the flexibility between art, craft, and cultural understanding, highlighting the subtle dialogues that emerge from these artworks.

Artists:
Juma Adi (ID), Sharareh Aghaei (IR), Genevieve Ang (SG), Vesal Bahmani (IR), Melissa Cameron (AU), Faelerie (ID), Jason Lim (SG), Soe Yu Nwe (MM), Holly O’Meehan (AU), Widi Pangestu (ID), Deena Pindoria (IN), Pinaree Sanpitak (TH), Santi Seedarach (TH), Fa Wuthigrai Siriphon (TH), Rudee Tancharoen (TH), Minh-Nhật Tôn-Thất (VN), Samantha Vincent (ZA), Inson Wongsam (TH)




The Artwork

This artwork series In search of the hidden growths I, II and III explores a speculative future of the natural vegetation endemic to the south west regions of WA. Influenced by the slow growth of the land and vegetation, O’Meehan purposely makes with slow, repetitive movements in a way that honours the time it takes the environment both recover and flourish. The symbolic use of the pearls reiterates how the natural environment skilfully sources materials and slowly but surely creates micro miracles.



click here for Virtual Tour of the exhibition Lost in Translation